Works by date
| 2010 |
May in Black Dress on Armchair, 2010
ink drawing on brown paper, acrylic background 79.5 x 49.4 cm
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May in White Bodice, 2010
ink drawing on brown paper, acrylic background 86.5 x 50.5 cm
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May on Invisible Armchair, 2010
ink drawing on brown paper, acrylic background 68.7 x 46.1 cm
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May on Nursing Chair, 2010
ink drawing on brown paper, acrylic background 81 x 45.7 cm
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May on Sofa, 2010
ink drawing on brown paper, acrylic background 90 x 49.8 cm
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May on Striped Coverlet, 2010
ink drawing on brown paper, acrylic background 45.5 x 99 cm
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May on Very Striped Coverlet, 2010
ink drawing on brown paper, acrylic background 45 x 99 cm
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Woman on Green Coverlet, 2010
ink, wax crayon and oil on paper 40 x 60.2 cm
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| 2009 |
Alasdair and Ann Hopkins, 2009
Ink, acrylic and oil on paper 48.2 x 69.8 cm
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Andrew Gray Aged 7 and Inge’s Patchwork Quilt, 2009
pen on brown paper tinted with acrylic and oil 49 x 63 cm
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Inverarity Limited Edition Carton, with View of Tinto Hill as also Reproduced on the Bottle’s Label, 2009
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People in Love, 2009
ink on brown paper 36 x 46 cm
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Phil and Hope, 2009
framed acrylic and pencil on brown paper on board 76.8 x 64.2 cm
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Portrait of Robert Dallas Gray, 2009
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Portrait of Sorcha Dallas, 2009
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Teacher, Historian, Poet, Angus Calder, 2009
ink drawing tinted with acrylic, crayon and oil 41.5 x 64.5 cm
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| 2008 |
Blue Denim Christine and Dan Healey, Rex Scortorum, 2008
acrylic, ink, pen and pencil on board 52 x 61 cm
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Corruption, 2008
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Inside, 2008
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Mick Broderick, 2008
acrylic, oil, pencil and watercolour on board 100 x 60 cm
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Studies for the De Rosa Band Portrait, 2008
pen on brown paper 4 parts 61 x 62/50.7 x 42.5/39.8 x 25.3/38.3 x 28 cm
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The De Rosa Band (Portrait for a CD Cover), 2008
acrylic, crayon, oil, pencil and watercolour on brown paper and board 61 x 132 cm
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We Will All Go Down Into The Streets of Water, 2008
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| 2007 |
Any Way Up (‘Some Gray Stuff’ Lucy McKenzie Album Cover Design), 2007
acrylic and enamel on board 61 x 61 cm
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Bella Caledonia, 2007
pen and tinted inks on paper 42 x 30 cm
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Crouching Woman I, 2007
lead & white crayon pencils, paint & felt-tipped pens on brown paper 71 x 39 cm
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Crouching Woman II, 2007
lead & white crayon pencils, paint & felt-tipped pens on brown paper 58 x 32 cm
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Crouching Woman III, 2007
lead & white crayon pencils, paint & felt-tipped pens on brown paper 66 x 36 cm
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Crouching Woman IV, 2007
lead & white crayon pencils, paint & felt-tipped pens on brown paper 56 x 38 cm
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Crouching Woman V, 2007
lead & white crayon pencils, paint & felt-tipped pens on brown paper 75 x 35 cm
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Crouching Woman VI, 2007
lead & white crayon pencils, paint & felt-tipped pens on brown paper 78 x 39 cm
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From the Soul’s Proper Loneliness, 2007
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Mother and Child, 2007
framed mixed media over silkscreen 50 x 34.5 cm
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Silver & Pink Man, 2007
lead & white crayon pencils, paint & felt-tipped pens on brown paper 75 x 25 cm
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Silver and Blue Man, 2007
lead & white crayon pencils, paint & felt-tipped pens on brown paper 69 x 32 cm
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That Death Will Break the Salt-Fresh Cockle Hand, 2007
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The Scots Hippo (1), 2007
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The Scots Hippo (2), 2007
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The Scots Hippo (3), 2007
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The Scots Hippo (4), 2007
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The Scots Hippo (5), 2007
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The Scots Hippo (6), 2007
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The Scots Hippo (7), 2007
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Triptych T, 2007
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Woman on Peach Coverlet, 2007
tinted with watercolour & acrylic 39 x 58 cm
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| 2006 |
Domestic Conversation, 2006
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Scottish Peace Covenant, 2006
framed acrylic and coloured ink collage 62 x 49 cm
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Some Gray Stuff (Decemberism), 2006
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| 2005 |
From an Eastern Empire, 2005
silkscreen print 40 x 26 cm
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The Star, 2005
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The White Dog, 2005
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| 2004 |
Oran Mor, 2004
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Portrait of the Artist as an Old Man (Seven Days), 2004
pen, ink, acrylic, tipex and collage on paper 29.5 x 26 cm
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| 2003 |
Frieze Design for Oran Mor, Glasgow, 2003
framed gouache over printed base 26 x 105 cm
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Night and Day (Dawn Firth Series): Oran Mor Test Panel, 2003
framed acrylic, enamel and oil on plaster panel 208.2 x 106.7 cm
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| 2002 |
Chapman Factotum: Ian Montgomery, 2002
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| 1998 |
‘H’ (Annex Theatre Company), 1998
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Cover Design for ‘Unlikely Stories, Mostly’, 1998
framed acrylic, ink and photocopies on paper 50 x 64 cm
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The Birds of Paradise Theatre Company presentation of ‘Working Legs. A play for people without them’ by Alasdair Gray, 1998
poster flyer 21.1 x 14.7 cm
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The Birds of Paradise Theatre Company presentation of ‘Working Legs. A play for people without them’ by Alasdair Gray, 1998
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| 1997 |
‘Songs of Scotland’, 1997
framed pen and acrylic on paper 22.5 x 32.5 cm
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Cover Design for ‘Songs of Scotland’, 1997
framed acrylic and pen on paper 51 x 81 cm
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Cover Design for ‘Why Scots Should Rule Scotland’, 1997
framed acrylic on paper 39 x 49 cm
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Cover Design for ‘Working Legs - A Two-Act Play for People Without Them’, 1997
framed pen and ink on paper 55 x 43 cm
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Self Portrait, 1997
framed pen and ink on paper 28.5 x 38 cm
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| 1996 |
‘People Like That,’ by Agnes Owens, 1996
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‘Sing as if You Live in the Early Days of a Better Nation’, 1996
framed pencil on paper 32 x 25cm
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‘Spitting in the Face of Eve’ (Annex Theatre Company), 1996
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Cover Design for the novel ‘People Like That’ by Agnes Owens, 1996
framed pen and acrylic on paper on board 39 x 36 cm
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Design for ‘People Like That’, 1996
framed ink and acrylic on board 30.5 x 41 cm
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Mavis Belfrage, A Romantic Novel by Alasdair Gray with Five Shorter Tales, 1996
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Original Jacket Design for ‘Mavis Belfrage’, 1996
framed ink, watercolour, tippex and acrylic 36.5 x 71.5 cm
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| 1995 |
‘Cat and Mouse’ (Annex Theatre Company), 1995
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‘Coming Apart’ (Annex Theatre Company), 1995
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Cover Design for ‘Mavis Belfrage: A Romantic Novel with Five Shorter Tales’, 1995
framed ink and acrylic on paper 35 x 34 cm
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Lanark (Tag Theatre Co.), 1995
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McGrotty and Ludmilla (Tongue Tied Theatre Co.), 1995
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Portrait of Scott Pearson and Angela, 1995
framed ink with aqua tint on brown paper 59 x 60 cm
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Standard Bearer, 1995
framed ink and acrylic on paper 41 x 15.5 cm
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Tree of Dunfermline History, Abbots House, 1995
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| 1994 |
‘Tramcars and Greyhounds’ (Annex Theatre Company), 1994
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A History Maker, 1994
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Cover Design for the novel ‘A Working Mother’ by Agnes Owens, 1994
framed pen, acrylic and watercolour on paper 57 x 55.5 cm
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| 1993 |
‘Ten Tales Tall and True’, 1993
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Beer Tasting at Smiths: Ann Marie, 1993
copy of pen on paper 30 x 21 cm
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Beer Tasting at Smiths: The Organiser, 1993
copy of pen on paper 30 x 21 cm
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Beer Tasting Session at Smiths, 1993
copy of pen on paper 30 x 21 cm
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Beer Tasting Session in Smiths: Bill, 1993
copy of pen on paper 30 x 21 cm
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Beer Tasting Session, Smiths, St Vincent Street, 1993
copy of pen on paper 30 x 21 cm
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Beer Tasting Session, Smiths, St Vincent Street, 1993
copy of pen on paper 30 x 21 cm
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Beer Tasting Smiths Bookshop: Self-Portrait, 1993
copy of pen on paper 30 x 21 cm
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Beer Tasting, Smiths, St Vincent Street, 1993
copy of pen on paper 30 x 21 cm
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Cover Design for ‘Ten Tales Tall and True’, 1993
framed acrylic on paper 41 x 33.5 cm
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Cover Design for American edition of ‘A History Maker’, 1993
framed colour photography, ink and acrylic on paper 44.5 x 47 cm
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Smiths Beer Tasting, 1993
copy of pen on paper 30 x 21 cm
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Smiths Beer Tasting Party, 1993
copy of pen on paper 30 x 21 cm
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Smiths Beer Tasting: Stephen, 1993
copy of pen on paper 30 x 21 cm
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Smiths Beer Tasting: Stephen Carrick White, 1993
copy of pen on paper 30 x 21 cm
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| 1992 |
Cover Design for ‘Poor Things’, 1992
framed pen, acrylic and collage on paper 48 x 64 cm
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Frontispiece for ‘Poor Things’, 1992
framed photocopy and scraperboard, pen, indian ink and tippex 23.5 x 20 cm
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Poor Things, 1992
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Poor Things. Episodes from the early life of Archibald McCandless M.D. Scottish Public Health Officer, 1992
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| 1991 |
‘The Surrogate’ (Annex Theatre Company) (1), 1991
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‘The Surrogate’ (Annex Theatre Company) (2), 1991
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‘The Unforgiven’ (Annex Theatre Company), 1991
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| 1990 |
‘Dolorosa’, ‘C,mon get aff’ and ‘For his namesake’ (Annexe Theatre Co.), 1990
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Dog & Bone, Spring 1990, 1990
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Sir Arthur Shots - illustration for ‘McGrotty and Ludmilla’, 1990
framed ink and pen on board 28.5 x 26.5 cm
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The Fall of Kelvin Walker, 1990
framed acrylic and pen on board 40 x 25.5 cm
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| 1989 |
‘Moving Bodies’ (Annex Theatre Company), 1989
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‘Vodka and Daisies’ (Annex Theatre Company), 1989
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Cover Desgn for ‘Old Negatives: Four Verse Sequences’, 1989
framed collage photocopies, indian ink and tippex 58 x 118 cm
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| 1988 |
An Audience with the Bard (Annexe Theatre Co.), 1988
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| 1987 |
‘Joe’ and ‘A one woman play’ and ‘Politics in he Park’ ’ (Annex Theatre Company), 1987
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| 1986 |
‘Hocus Pocus’ and ‘In nomine patris’ (Annexe Theatre Co.), 1986
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‘McGrotty and Ludmilla’ (The Tron Theatre), 1986
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| 1985 |
John Bryce, Retired Professor of English in Glasgow University, 1985
pencil, acrylic and oil on brown paper 56 x 42 cm
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Julie, 1985
silkscreen print 76 x 56.5 cm
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| 1984 |
Winnie Wilson, 1984
framed ballpoint pen on paper and mounted on card 54 x 54 cm
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| 1983 |
‘Unlikely Stories’ (Canongate Launch), 1983
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‘Unlikely Stories’ (Third Eye Centre), 1983
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| 1982 |
Lanark (Book 1 frontispiece), 1982
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Lanark (Book 2 frontispiece), 1982
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Lanark (Book 3 frontispiece), 1982
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Lanark (Book 4 frontispiece), 1982
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Lanark (Cover), 1982
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Lanark (Title Page), 1982
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True Confessions, a revue and Tickly Mince (Merryhell Theatre Co.), 1982
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| 1981 |
Lanark Book Cover, 1981
printed book cover 24.1 x 56.7 cm
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| 1980 |
American Opera Singer, 1980
framed acrylic, ink, oil and pencil on card 90 x 57 cm
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Two Views of Katy Mitchell, 1980
framed ink and watercolour 92 x 72 cm
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| 1978 |
The Continuous Glasgow Show. New and old paintings of Glasgow people and place, 1978
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| 1977 |
‘The Hardcase’ and ‘Rich and Famous’ (Third Eye Centre), 1977
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Marian Oag and the Birth of the Northern Venus, 1977
framed Indian ink on paper 60.5 x 34.5 cm
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Simon Berry and Bill MacLellan, Glasgow Publishers, Jim Taylor, Australian Writer and Printer, Shelley Killen, USA artist, 1977
framed pencil, ink and acrylic on paper 35 x 72 cm
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| 1976 |
Juliet in Red Trousers, 1976
framed oil on paper mounted on wood 99 x 49.5 cm
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| 1974 |
Adam and Eve: Palacerigg Nature Reserve, 1974
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| 1970 |
Aunt Annie, 1970
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Cliff, Porten Cross (I), 1970
biro and watercolour on paper 42 x 30 cm
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Cliff, Porten Cross (II), 1970
biro and watercolour on paper 42 x 30 cm
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Cliff, Porten Cross (III), 1970
biro and watercolour on paper 42 x 30 cm
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Cliff, Porten Cross (IV), 1970
biro and watercolour on paper 30 x 42 cm
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James Bliss with Bust of William Bliss, Mr Moggs and Tortoise, 1970
framed coloured marker, crayon and wash on paper 74.5 x 108.5 cm
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Marlene Abrams, wife of Bob Kitts, 1970
pen, pencil, watercolour wash on brown paper 52.5 x 65 cm
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That Death will Break the Salt-Fresh Cockle Hand, 1970
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| 1969 |
Alasdair Taylor, 1969
copy of pen and ink on paper 21 x 30 cm
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Andrew, 1969
copy of pen and ink on paper 21 x 30 cm
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Andrew as Red Indian, 1969
framed pencil and acrylic on paper 51.5 x 16 cm
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Bob Harris: Shepherd and Poet, 1969
pen and ink on paper 30 x 21 cm
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Design for Corner of Lanark, 1st Edition, 1969
pen and ink on card 16.5 x 26 cm
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Falls of Clyde (The Riverside Bar and Restaurant, formerly Kirkfieldbank Tavern, restored by the artist 2009), 1969
acrylic on wall 766 x 142 cm
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Judy McRae, 1969
pen on paper 23.5 x 31.5 cm
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Juliet, 1969
pen and ink on paper 21 x 30 cm
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Marriage Feast at Cana, 1969
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Mr Donald: Caretaker, 1969
pen and ink on paper 30 x 21 cm
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Paul Savas, Andrew’s Friend, 1969
pen and ink on paper 32.5 x 21.5 cm
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Pete Brown: Poet and Musician, 1969
pen and ink on paper 30 x 21 cm
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Symington the Agitator, 1969
copy of pen and ink on paper 21 x 30 cm
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Tom Buchan, Poet, 1969
copy of pen and ink on paper 21 x 30 cm
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Tony Bliss, Surgeon, 1969
copy of pen and ink on paper 30 x 21 cm
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Untitled, 1969
copy of pen and ink on paper 21 x 30 cm
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Untitled, 1969
copy of pen and ink on paper 21 x 30 cm
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Untitled, 1969
copy of pen and ink on paper 30 x 21 cm
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| 1968 |
Self Portrait, 1968
red ballpoint tinted with acrylic 38.5 x 48.5 cm
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| 1967 |
Erics Watching Television, 1967
framed acrylic, pen, ink and wash on paper 70 x 58 cm
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Nithdale Road Chinesey Lobby and Living Room Mural, 1967
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| 1965 |
Andrew Sleeping, 21 December 1965, 1965
framed ballpoint on paper 20.5 x 19 cm
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| 1964 |
Mrs Nanni in White Slip and Bra and a Glass of Wine, 1964
framed oil, gouache and pencil on paper 62 x 28 cm
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| 1963 |
Dawn Firth with Daffodils, 1963
framed oil on canvas 82 x 83 cm
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Inge with Clasped Hands, 1963
framed ballpoint on brown paper 58 x 37.5 cm
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Inge with Teacup and Yellow Background, 1963
pen, acrylic, watercolour 34.5 x 26.5 cm
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| 1962 |
Entrance to the Old Flint Mill (II), 1962
watercolour and biro on paper 32 x 20 cm
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Entrance to the Old Flint Mill, Glasgow (I), 1962
watercolour and biro on paper 32 x 20 cm
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Leaf from Ledger, 1962
biro on found ledger page 42 x 60 cm
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| 1961 |
Book of Jonah, 1961
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Inge in Bed, 1961
framed biro on paper 60 x 75 cm
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Submarine Battle: Whale and Squid, 1961
silkscreen print 33 x 47 cm
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The Painter and his Muse, 1961
silkscreen print 30 x 22 cm
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Two Views of Inge, 1961
framed biro on paper 60 x 75 cm
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| 1959 |
Belleisle Street Synagogue Ceiling, 1959
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Six Days of Creation, Greenhead Church of Scotland, 1959
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| 1958 |
Faust in His Study, 1958
framed dyeline print 84 x 82 cm
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Sketches (Big Ledger, 3), 1958
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| 1957 |
Waterfall in Glen Nevis, 1957
charcoal on paper 36 x 21 cm
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| 1956 |
Details of War Mural, Scottish USSR Friendship Society: Crucifixion Wall, 1956mural variable dimensions
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| 1954 |
A Workman’s Hut (I), 1954
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A Workman’s Hut (II), 1954
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Cable Drum, 1954
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Digger, 1954biro on paper
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Nude and Red Table, 1954
framed ink drawing and coloured paper collage 61 x 32 cm
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Nude on Chair, 1954
framed felt-tip pen and paper collage 70 x 48 cm
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Preliminary Sketch of Horrors of War (for Scotland USSR Friendship Society), 1954
gouache and pen on board 39.5 x 48 cm
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Sketch of Building Site I, 1954
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Sketch of Building Site II, 1954
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Sketch of Building Site III, 1954
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Sketch of Building Site IV, 1954
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Sketch of Building Site V, 1954
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| 1953 |
Night Street Self-Portrait, 1953
framed ink drawing with colour added in 2006 54.5 x 43 cm
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Still Life with Green Slippers and Piano Stool, 1953
framed gouache, acrylic and oil paint 76 x 66 cm
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The Musicians, 1953
framed gouache and acrylic on paper 56.5 x 88 cm
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| 1952 |
Signalling Minister, 1952
framed linocut with addition of pen and acrylic in 2006 30.8 x 26.2 x 2 cm
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Sketches (Big Ledger, 1), 1952
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Sketches (Big Ledger, 2), 1952
ink drawing tinted with watercolour
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Sketches (Big Ledger, 4), 1952
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Sketches (Big Ledger, 5), 1952
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Sketches (Big Ledger, 6), 1952
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Sketches (Big Ledger, 7), 1952
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| 1951 |
The Card Players, 1951
framed pen and watercolour 21.5 x 15 cm
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Young Boy and Paint Box, 1951
ink on paper 33.5 x 25.7 cm
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