Martin Soto Climent: CV

Born: 1977, Mexico City

Solo Exhibitions
2006	Solo, Broadway 1602, New York
2005	Biotic Project, Subway Station Tacuba, Mexico City
	Other Objects, The Other Gallery, The Art Banff Centre, Banff, Canada
2004	Cotton Candy Doves, MUCA, Mexico City (Installation inside of the Marry Kelly¬¥s work ‘The Ballad of Kastroy Rexhepy’)
	Throw Balls, University Cultural Building, Unjam, Mexico
2003	03-03-03, Jardin Hidalgo, Mexico City
	Curious Objects Vol 1, The Space, Mexico City
	Curious Objects Vol 2, The Space, Mexico City
2002	It was Green, Ex Convento del Desierto de los Leones, Mexico
2001	Empty Spaces (Journey Sensations), Casa de la Cultura Malinalxochitl, Mexico
	One of So Many, Young Artist Collection, Sebastian Foundation, Mexico

Group Exhibitions
2007	Re-Make/Re-Model, Sorcha Dallas, Glasgow (closed 22 December to 11 January)
	Group Exhibition, Liste, Basel
	Group Exhibition, Art Forum, Berlin
	Group Exhibition, Frieze Art Fair, London
	In Apertura, Vilma Gold, London (with Raphael Danke and Jennifer West)
	New Collection Presentation Nancy & Stanley Singer, East Hampton, NY, Nancy & Stanley Singer, East Hampton, NY
	OBJECTS Tea Djordjadze, Karma International, Zurich (with Jordan Wolfson and Matt Johnson)
	The Kitchen Benefit, Art Auction, New York
	The Office, Tanya Bonakdar Gallery, New York
2006	Group Exhibition, Liste, Basel
	Group Exhibition, Artissima, Turin
	Group Exhibition, NADA, Miami
	Keep passing the open windows or Happiness, Galerie Gisela Capitain, Cologne (curated by Anke Kmepkes)
	Solidarity Solitude, Broadway 1602, New York (with Agnieszka Brzezanska)
2005	Alegria, El Mono de la Tinta Gallery, Madrid
	Begin, Began, Begun, The Other Gallery, The Art Banff Centre, Banff, Canada
2002	Colección Monocroma. Alternative Catwalk, Convenciones Hipodromo de las Americas, Mexico City
	Urban Tianguis. Alternative Runway, Franz Meyer Museum, Mexico

Press
2008	Jack Mottram, ”Performance’ that is anything but pants’, The Herald, 11th January 2008
2007	Sue Wilson, ‘Re-Make/Re-Model’, The Metro, 19th December 2007