2007 |
‘Graduates win Creative Scotland Awards’, Flow 10, 1st August 2007 |
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‘Venice Biennale’, Flow 10, August 2007 |
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Phil Miller, ‘Scots go for the gold in Venice’, The Herald, 11th June 2007 |
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Duncan Macmillan, ‘Venice, Vidi, Vici? Not Quite’, The Scotsman, 8th June 2007 |
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Phil Miller, ‘Modern Artists Canvassing Support’, The Herald, 8th June 2007 |
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‘100 Years at the Venice Biennale’, Scottish Art News 8, June 2007 |
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‘Scotland Sails Into Venice’, Guardian Unlimited, 29th May 2007 |
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Charlotte Higgins, ‘British artists get set for Venice Biennale’, The Guardian, 1st May 2007 |
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Tim Cornwell, ‘Triumph of Youth Over Experience as Artists Head For Venice’, The Scotsman, 17th January 2007 |
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Phil Miller, ‘Artists Unveiled to Represent Scotland at Venice Biennale’, The Herald, 17th January 2007 |
2006 |
Amra Brooks, ‘Must See Art - “Hanging on By Your Eyelids”’, LA Weekly, 11th October 2006 |
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Ken Neil, ‘Review: Henry Coombes, Laddy and the Lady’, The Map Issue 7, 1st August 2006 |
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Alexander Kennedy, ‘Visual Art: Henry Coombes’, The List, 20th July 2006 |
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Andrew Eaton, ‘Meet the artist who dressed a man as a dog, then shot him’, The Scotsman, 11th July 2006 |
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Leon McDermott, ‘Henry Coombes: Laddy and the Lady’, The Metro, 11th July 2006 |
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Jack Mottram, ‘It’s a dogs life, but not as you know it’, The Herald, 10th July 2006 |
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‘Henry Coombes: Laddy and the Lady’, The Herald, 6th July 2006 |
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‘7 Things You Have To Do This Week’, Sunday Herald, 2nd July 2006 |
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Roger Cox, ‘Laddy and the Lady’, The Scotsman, 1st July 2006 |
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Vicky Allan, ‘Stars in their Eyes’, Sunday Herald, 8th January 2006 |
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Victoria Miguel, ‘If Not Now’, The Map 7, 2006 |
2005 |
Alexander Kennedy, ‘Visual Art - Henry Coombes’, The List, 4th August 2005 |
2004 |
Moira Jeffrey, ‘Showing a Vital Spark’, The Herald, 10th September 2004 |
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Jack Mottram, ‘Visual Art: Henry Coombes’, The List, 9th September 2004 |
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Alexander Kennedy, ‘An Umbilical Cord of Gold’, The List, August 2004 |
2002 |
Claire Prentice, ‘Best in Show’, Business AM, 16th July 2002 |
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Julia Hunt, ‘Dead Ringers’, The Glaswegian, June 2002 |
