Alex Pollard: CV

Born: 1977, Brighton

Based: Glasgow

Represented by: Sorcha Dallas, Glasgow

Education
1998–1999
School of the Art Institute of Chicago
1997–1998
Exchange, Goldsmiths College London
1996–1999
BA(hons) First Class, Glasgow School of Art
1995
Brighton College of Technology
Current & Forthcoming Exhibitions
2008
XS: Recent Small Scale Painting, The Knoxville Museum of Art, Knoxville 28th Mar–24th Aug
New Scots, Royal Scottish Academy, Edinburgh (curated by Sandy Moffat) 1st May–1st Jul
Solo Exhibitions
2007
Black Marks, Talbot Rice Gallery, Edinburgh
2006
Torch Sculptures, Sorcha Dallas, Glasgow
Disintegrating Hand and Other Works, The Reliance, London
2004
Statement, Art Basel, Basel
See-Through Mask, Art Basel, Basel (off-site project)
2002
Solo, Glasgow School of Art, Glasgow (part of GSA residency programme)
Group Exhibitions
2008
New Scots, Royal Scottish Academy, Edinburgh (curated by Sandy Moffat)
XS: Recent Small Scale Painting, The Knoxville Museum of Art, Knoxville
Passed as Present, York Art Gallery, York
2007
Frieze Art Fair, London
Art Forum, Berlin
Tender Scene, The Changing Room, Stirling (with Gregor Wright)
Size Matters, HUDSON VALLEY CENTER for CONTEMPORARY ART, Peekskill (A two-part exhibition investigating scale in contemporary painting)
L’homme nu (Volume 2/3: Visited landscapes, Centre d’art Mira Phalaina/Maison Poulaire, Montreuil (Curated by Aurélie Voltz. With Alexandra Bircken, Dani Jakob, Pierre Malphettes)
Echo Room: Contemporary British Art, Sala de la Comunidad de Madrid, Madrid (with the British Council)
The Armory Show, New York
Counterfacture, Luhring Augustine, New York (Curated by Mark Foxx, with David Musgrave, Rupert Norfolk and Will Daniels)
2006
Frieze Art Fair, London
Krakt Aktars, Goddard de Fides, Perth (two person show)
First Call, Art Brussels, Brussels
2005
echo echo, Collective Gallery, Edinburgh
Selective Memory, Scottish National Gallery of Modern Art, Edinburgh
Artissima, Turin
Frieze Art Fair, London
Selective Memory, Venice Biennale, Venice
Campbell’s Soup, Glasgow School of Art, Glasgow
Group Exhibition, Galerie Krinzinger, Vienna
Mourning, Sies & Hoke Gallery, Dusseldorf
2004
Group Exhibition, Kerlin Gallery, Dublin
Fire and Brimstone, The Embassy, Edinburgh
Granite, Whitechapel Project Space, London
Not in New York, Stux Gallery, New York
JP Munro, Alex Pollard, Tony Swain, Transmission, Glasgow
Group Exhibition, Offsite Project, Glasgow (with Clare Stephenson and Craig Mulholland)
Circuses and Bread, K Jacksons, Edinburgh
Glasgow in Valligia, Museo Corta Alta, Fossombrone
John Moores Painting Prize 2004, Walker Art Gallery, Liverpool (prizewinner)
Principle of Hope, Three Colts Gallery, London
Publish and be Damned, Cubitt Gallery, London
2003
Aperto Scotland, Czech National Gallery of Art, Prague (as part of the Prague Biennale)
EAST International, Norwich Gallery, Norwich (curated by Toby Webster and Eva Rothschild)
The Haunted Swing, Collective Gallery, Edinburgh
The Haunted Swing (Live), Cabaret Voltaire, Edinburgh
We Make Our Own, Tablet Gallery, London
2002
Michael Fullerton, Alex Pollard, Merlin James, Felix Leiter Raum, Berlin
Forts for a New Year, Bognor Regis Pier, Bognor Regis
Half the World Away, Hallwalls Contemporary Arts Centre, Buffalo
Hampstead Achieved, Temporary Space, Chicago
Presence, Fruitmarket Gallery, Edinburgh
Tableware, The Lighthouse, Glasgow (with Lapland)
2001
Menschenraum, Mulackstrasse 8, Berlin
Mouth Wash featuring Nico, Flourish Studios, Glasgow
New-Newquayism, Glasgow Project Room, Glasgow (with Toby Paterson)
Young Young Dragons, Proto-Academy, Edinburgh
Republic of Leather (People’s), Generator, Dundee
2000
Louder than Love, De Zeup Cultural Institute, Brussels
Medium-Sized Objects, One in the Other, London
Intermedia, Triskel Arts Centre, Cork
Koipoo, The Nunnery Gallery, London
1999
Absolut Open, Inverleith House, Edinburgh
Hiatus, Free Gallery, Glasgow
1998
Specular Rebound, The Assembly Gallery, Glasgow
True Value, Temporary Space, Chicago
Work, The Assembly Gallery, Glasgow
Awards/Grants/Residencies
2001
Artist in Residence, Glasgow School of Art
2000
Committee Member, Transmission
Publications
2007
Alex Pollard (Sorcha Dallas, Glasgow)
2003
Norwich Gallery East (Norwich Gallery, Norwich)
2002
Presence (The Fruitmarket gallery, Edinburgh)
(Hallwalls contemporary Arts Center)
Press
2007
Melissa Gronlund, ‘Charlie Hammond’, Frieze Art Fair Yearbook 2007 - 08, October 2007
Amanda Coulson, ‘Michael Stumpf’, Frieze Art Fair Yearbook 2007 - 08, October 2007
John Millar, ‘Tender Scene’, The Map 11, 1st August 2007
Susan Mansfield, ‘Hanging Together Yet Miles Apart’, The Scotsman, 27th July 2007
Jack Mottram, ‘Works that fizz with unexpected connections’, The Herald, 27th July 2007
Claire Mitchell, ‘Tender Scene - Group Show’, The List, 19th July 2007
‘Tender Scene’, The Herald, 7th July 2007
Alexander Kennedy, ‘Tender Scene: Group Show’, The List 579, 5th July 2007
Susannah Thompson, ‘Alex Pollard: Black Marks’, Art Review 13, 1st July 2007
Jack Mottram, ‘Old tricks masked in poses of the New Romantics’, The Herald, 11th May 2007
Claire Mitchell, ‘Alex Pollard: Black Marks’, The List, 10th May 2007
Iain Gale, ‘Apocalypstik now for clown prince’, Scotland on Sunday, 29th April 2007
Mark Fisher, ‘Method in his madness’, The Sunday Times, 29th April 2007
Alexander Kennedy, ‘White lines, black marks’, The List, 26th April 2007
Susan Mansfield, ‘Mask of Pierrot’, The Scotsman, 21st April 2007
Melissa Gronlund, ‘Twenty-five artists to look out for in 2007’, Art Review 9, March 2007
Roberta Smithh, ‘Art in Review’, New York Times, 9th February 2007
Cecilia Alemani, ‘Critics Picks’, Artforum Online, January 2007
2006
Giles Sutherland, ‘Visual Art’, The List 558, 7th September 2006
Jasper Hamill, ‘Alex Pollard - Torch Sculptures’, The Skinny 12, September 2006
Jasper Hamill, ‘Alex Pollard - Torch Sculptures’, The Skinny 12, September 2006
‘Visual Art’, The List 554, 3rd August 2006
‘Visual Art’, The List 555, August 2006
Grainne Rice, ‘From Studio to Pavilion’, Scottish Art News 6, June 2006
Tim Abrahams, ‘Head to head with the national collectors of art’, The Map, May 2006
Alexander Kennedy, ‘Selective Memory Scotland and Venice’, The Map 5, May 2006
Rosamund West, ‘Selective Memory Scotland and the Venice Biennale’, The Skinny 4, January 2006
2005
David Pollock, ‘Echo Echo’, The Metro, 20th December 2005
Jack Mottram, ‘Visual Art Ventian Minds’, The List, 15th December 2005
Isla Leaver-Yap, ‘Sculpture, installation and drawing’, The List, 1st December 2005
Alice Bain, ‘Venice Biennale’, The Map 3, September 2005
Claire Hay, ‘First Impressions’, Scotland on Sunday, 12th July 2005
Neil Mulholland, ‘Venice the grande tour’, The Map 2, July 2005
Iain Gale, ‘Art of walking on water’, Scotland on Sunday, 12th June 2005
Alan Jones, ‘Scottish art in select company’, Sunday Herald, 12th June 2005
Moria Jeffrey, ‘Now for the Italian Job’, The Herald, 10th June 2005
Moria Jeffrey, ‘Walk in the park proves that Scottish art is alive in venice’, The Herald, June 2005
Susan Mansfield, ‘Bright young things spread the message’, The Scotsman, 31st May 2005
vicky Allan, ‘vision on’, Sunday Herald, 17th April 2005
Tim Abrahams, ‘The profile’, The List, 3rd March 2005
Phil Miller, ‘Four artists to star at Venice Biennale’, The Herald, 18th February 2005
2004
Matt Price, ‘Mixed Paint A survey of contemporary painters’, Flash Art 239, November 2004
Laurence Figgis, ‘JP Munro, Alex Pollard, Tony Swain’, Untitled, October 2004
Tim Stott, ‘Group show’, Circa On-line magazine, October 2004
Susannah Thompson, ‘Craig Mulholland at Sorcha Dallas’, Flash Art, July 2004
Jack Mottram, ‘Plastic Casino’, The List, 24th June 2004
Jack Mottram, ‘Plastic Casino’, The List, 27th May 2004
2003
Michael Bracewell, ‘Scotland Rocks’, Tate Magazine 6, 2003
2002
Neil Cameron, ‘Wise Heads on Young Shoulders’, The Scotsman, May 2002
Neil Mulholland, ‘Aperto Scotland’, Flash Art, January 2002
Alex Pollard and Neil Mulholland, ‘Hampstead Achieved’, Untitled, 2002
Neil Mulholland, ‘Leaving Glasvegas’, Matters magazine 17